LIZ LINDEN   

ealinden@gmail.com   

www.lizlinden.com
www.contemporaryfeminism.com
www.surfstreetpress.com


EDUCATION
2018    University of Wollongong, PhD in Art, Wollongong, Australia

2009    Whitney Independent Study Program, New York, NY


2002    Yale University, BA in Literature, New Haven, CT

2001    École Nationale Supérieur des Arts-Décoratifs, Paris, France
                 
   
SELECTED RECENT EXHIBITIONS / PROJECTS
Solo Exhibitions Marked With*

2021   The Position of the Sun in the Sky, White Columns, New York, NY

2019   The New York Times Feminist Reading Group, collaboration with Jen Kennedy, San José Museum of Art, San José, CA

2018   Past and Future Fictions, MoMA PS1, Queens, NY
       In Real Life, Worth Ryder Art Gallery, University of California, Berkeley, CA

2017    Damaged Goods, Cleopatra's, Brooklyn, NY*
        TELETHON, collaboration with Jen Kennedy, Hammer Museum, Los Angeles, CA*
        En Masse: Books Orchestrated, Center for Book Arts, New York
        Forever Tranformed, Gertrude Contemporary, Melbourne, Australia

2016   
Utopia is No Place, Utopia is Process, collaboration with Jen Kennedy, Usdan Gallery, Bennington College, Bennington, VT
       The Sydney Morning Herald Feminist Reading Group, collaboration with Jen Kennedy, Museum of Contemporary Art, Sydney, Australia

2015   Target Practice, TAEM Gallery, University of Wollongong, Wollongong, Australia*
       pilot press... (year long installation), in collaboration with Jen Kennedy, Abrons Arts Center, New York, NY
        Then and Now: Artists in Residence, Center for Book Arts, New York, NY

        Then and Now: Artists in Residence, Castle Gallery College of New Rochelle, New Rochelle, NY       
        Recall, Art in Odd Places 2015, New York, NY (cat.)
        When Words Collide II, in collaboration with Nanna Debois Buhl, Galleri Tom Christoffersen, Copenhagen, Denmark

2014    I wasn't lying; you didn't ask the correct questions., Hagedorn Foundation Gallery, Atlanta, GA*


2013    Welcome to the Real, collaboration with Nanna Debois Buhl, TEMP art space, New York, NY   
        Brother, Can You Lend Me a Stack?, collaboration with Jen Kennedy, Center for Book Arts, New York, NY (cat.)
        IRL, collaboration with Nanna Debois Buhl, Point B, Brooklyn, NY
        The New York Times Feminist Reading Group, collaboration with Jen Kennedy, ICI (Independent Curators International), New York, NY

2012    2011 Workspace Artists-in-Residence, Center for Book Arts, New York, NY
        Young Curators, New Ideas IV, collaboration with Jen Kennedy, Meulensteen Gallery, New York, NY (cat.)
        Visions and Voices, collaboration with Jen Kennedy, University of Southern California, Los Angeles, CA
        Stuff Lust, Dekalb Gallery, Pratt's Institute, Brooklyn, NY (cat.)
        Required Reading, collaboration with Jen Kennedy, Center for Book Arts, New York, NY (cat.)
   

2011    Mall of America, Artspace, New Haven, CT*
        City Grammar, a two-person exhibition with Nanna Debois Buhl, Bureau, New York, NY*
        The Dependent, Sheraton Hotel, New York, NY
        h.arta group, collaboration with h.arta and Jen Kennedy, Ludlow 38/Künstlerhaus Stuttgart, New York, NY
        F is for Fake, collaboration with Jen Kennedy, Cleopatra’s, Brooklyn, NY

2010    The Last Newspaper, in collaboration with Jen Kennedy, New Museum, New York, NY
        Presentation, collaboration with Nanna Debois Buhl, Lunds Konsthall, Lund, Sweden      
       Collective Consumption, Dumbo Arts Festival, Brooklyn, NY

       making ourselves visible, collaboration with Jen Kennedy, Brooklyn Museum, Brooklyn, NY*

       
2009    BACK TO THE FUTURE, collaboration with Jen Kennedy, February 21, 2009, Whitney Museum of American Art, New York, NY*
       PERFORMA, live radio performance with Jen Kennedy in project by Broadside, New York, NY
        Analog Sunset, collaboration with Ethan Breckenridge and Phil Vanderhyden, Ludlow 38, New York, NY
        Whitney ISP Studio Exhibition, Art in General, New York, NY
        book swap . . ., collaboration with Jen Kennedy, DISPATCH, New York, NY
       SIGN! Art in Odd Places 2009, New York, NY

2008    Show 1, Kate Werble Gallery, New York, NY
        L’Argent, FRAC Ile-de-France/Le Plateau, Paris, France

2007    PAWNSHOP, collaboration with Julieta Aranda and Anton Vidokle, e-flux, New York, NY*

        Doubles
, Buia Gallery, New York, NY*


2006    Kollektor Stange, Future 7, Berlin, Germany
        Peace Tower 2006, Whitney Biennial: Day for Night, Whitney Museum, New York, NY

2005    PastPresentForever, Buia Gallery, New York, NY
        Utopia Station, World Social Forum, Porto Alegre, Brazil
        Boundless, Stenersenmuseet, Oslo, Norway   

2004    Utopia Station, Das TAT, Frankfurt, Germany   
 
2003    Journal: Photographs from the Second Intifada, Cave Gallery, Brooklyn, NY*


SELECTED GRANTS / FELLOWSHIPS / RESIDENCIES
2017    Arts Writers Grant, Creative Capital/Andy Warhol Foundation
       Hammer Museum Public Engagement Residency, Los Angeles, CA

2016    Brian Crowther Prize, University of Wollongong

2015    Puffin Foundation Artists Grant

2014    New York Council for the Humanities Project Grant
       Artist’s Book of the Moment Shortlist

2013    Culture Push Fellow

2011    Artist-in-Residence, Center for Book Arts, New York, NY

 
2010    Studio Artist, Capacete, Rio de Janeiro, Brazil


SELECTED PRESS
2017   Art Review Asia, “Octopus 17: Forever Transformed at Gertrude Contemporary, Melbourne,” Tristen Harwood, Autumn
        The Journal of Feminist Scholarship, “Not Mine Alone, Nor Mine to Own,” Jackie Mabey, Issue 12-13

2015   Hyperallergic.com, “The 2015 NADA Art Fair in 25 Superlatives,” Jillian Steinhauer, May 15, 2015

2014    The New York Observer, “Call It the Gray Womyn: Reading The New York Times From a Feminist Perspective,” by Kara Bloomgarden-Smoke, February 12, 2014

2013    C Magazine, "Le baiser de l'institution: Feminism After Elles," by Ania Wroblewski, Issue 117, spring 2013
        Gender Art/Work and the Global Imperative, by Angela Dimitrakai, published by Manchester University Press (Manchester), 2013
        Politics in a Glass Case; Exhibiting Feminist Art, edited by Angela Dimitrakai and Lara Perry, published by Liverpool University Press (Liverpool), 2013

2012    The first 3 years of Ludlow 38, Tobi Maier, Antonia Lotz (eds.), Spector Books, Leipzig, Germany
Daily Trojan, “Event studies the role of women in The New York Times,” by Isabelle Sayyah, October 23, 2012

2011    New Haven Register, “PICK OF THE ARTS: Artspace’s ingenious ‘Mall of America’ show,” by Donna Doherty, March 3, 2011
        Artforum.com, Critic's Pick, Nanna Debois Buhl and Liz Linden by Sarah Lookofsky, July 14,2011

2010    Differences, "'Women's Time' in Theory," by Emily Apter, spring 2010
       
Flavorwire.com, “Adventures in Australia: Visual Artist Liz Linden,” interview with Caroline Stanley, January 14, 2010
        On-Verge, “The Art of Seduction & The Skeleton in the Closet,” by Kerrie Welsh, fall 2010

2009    New York Magazine, "What the...," November 8, 2009
        The New York Times
, "Art & Design," "Inside Art" by Carol Vogel, October 22, 2009
        PaperMag.com, "Word of Mouth: There's Art in Odd Places," by Joseph Alexiou, October 5, 2009

2008    Artforum, XLVI, No. 8, "MARKET INDEX: Barry McGee" by Michelle Kuo, April 2008

        ArtReview, Issue 20, "REVIEWS: PAWNSHOP," March 2008
        BBC World Service radio, “The Ticket,” February 8, 2008
        The New York Times, "Sunday Styles," "PULSE" by Karin Nelson, January 27, 2008
        ARTnews, VOLUME 107/NUMBER 1, "A New Day Pawning" by Lamar Clarkson, January 2008

SELECTED WRITING / PUBLICATIONS
2021    "Art Writing and Allegory in the Anthropocene," co-written with Susan Ballard, October, issue 175

2019    "Women With Cameras: the Invention of the Selfie in the Photography of Anne Collier," Camera Obscura, issue 101, August 2019
       "Robert Smithson, Geoaesthetics, and Multivalence: Looking for Art in the Anthropocene," co-written with Susan Ballard The Anthropocene Review, April 2019

2017    "Alone in the Crowd: Appropriated Text and Subjectivity in the Work of Rirkrit Tiravanija," Third Text, published by Reutledge (London), February 2017

2016    “Reframing Pictures: Reading the Art of Appropriation,” Art Journal, published by CAA (New York), winter 2016

      The Rocks of Albany, artists’ book in collaboration with James Angus, published by Surf Street Press (Australia)

2014      The New York Times Feminist Reading Group Yearbook, artists’ book in collaboration with Jen Kennedy, published by Revolver (Berlin)

2010    City Grammar, artists’ book in collaboration  with Nanna Debois Buhl, published by Revolver (Berlin)
        Double Take
, “The Elephant in the Room,” published by Public Art Fund (New York)



PUBLIC COLLECTIONS
Hammer Museum, Los Angeles
York University Art Gallery, Toronto
The New York Public Library, New York



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